Raphael Hamato (
othersdestructive) wrote in
ya_assemble2014-11-28 01:29 am
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
Entry tags:
[LN] Beat of His Own Drums [Open]
As soon as the yeti finished that beautiful, beautiful brand spankin' new not liberated from the trash drum kit, Raph had swooped in and commandeered it, dragging it off piece by piece to the room he'd also commandeered as his own when he'd first arrived.
"You can make another one," he'd shot back at the pouting yeti, who'd sighed and gotten back to work as he stole the cymbals.
It was a Pearl Export kit. Not exactly top of the line but solid, had a good sound just like the real thing (talk about trademark infringement, right?), and most importantly of all, it was new. Like so few of Raph's belongings were. In fact, the only belongings he had that weren't, ahem, "recycled," were things April and Casey had given him. Everything else was junk scavenged from the surface by Splinter - and then by him and his brothers when they started going up.
New drums. Actual new drums. And a new cd player. And new cds. He'd managed to grab a few new things, actual new things. For the first time in his life, he was playing on a new drum kit.
All the "you have to save all of existence" stuff aside, this place rocked.
That was why he was in his room banging away, sometimes playing very recognizable drums beats by themselves, sometimes in time with the original music. If it sounded like he was crazy enthusiastic about what he was doing, it was because he was.
He'd left his door open out of a general lack of consideration for others, but the noise didn't add much more noise pollution to the busy workshop than there was - and at least he was good. Very good, in fact.
"You can make another one," he'd shot back at the pouting yeti, who'd sighed and gotten back to work as he stole the cymbals.
It was a Pearl Export kit. Not exactly top of the line but solid, had a good sound just like the real thing (talk about trademark infringement, right?), and most importantly of all, it was new. Like so few of Raph's belongings were. In fact, the only belongings he had that weren't, ahem, "recycled," were things April and Casey had given him. Everything else was junk scavenged from the surface by Splinter - and then by him and his brothers when they started going up.
New drums. Actual new drums. And a new cd player. And new cds. He'd managed to grab a few new things, actual new things. For the first time in his life, he was playing on a new drum kit.
All the "you have to save all of existence" stuff aside, this place rocked.
That was why he was in his room banging away, sometimes playing very recognizable drums beats by themselves, sometimes in time with the original music. If it sounded like he was crazy enthusiastic about what he was doing, it was because he was.
He'd left his door open out of a general lack of consideration for others, but the noise didn't add much more noise pollution to the busy workshop than there was - and at least he was good. Very good, in fact.
POST-HOCUS POCUS PLOT. for obvious reasons.
She smiles faintly to herself and hones in on the sound, following it to the source. It's not the type of music she makes-- made, but she enjoys pretty much anything that has heart in it. And Raph's drumming definitely has heart. (Not to mention a fair share of talent.)
She leans against the doorway and watches him, that little smile still ghosting over her lips, one arm draped over the Transistor's crossguard and nodding in time to the music as her fingers tap slightly more complex rhythms. He's really very good.
Re: POST-HOCUS POCUS PLOT. for obvious reasons.
It had "neener neener neener, look what I can do" all over it.
Right now, for once, he could showboat in a positive way, so he did, improvising a drum solo during a quiet point in the song and adding a little well-timed extra oomph to it.
When it had finally finished, he turned off the music so they could chat. Chatting with people was kinda novel and he was still enjoying it, even if he sometimes needed his time alone.
"So in case you haven't noticed, my drum playing is a whole lot better than my ability to dodge bullets," he cracked.
no subject
The Transistor hummed slightly under her hands.
She smiled at Raph and flashed him a thumbs up along with a little celebratory fanfare. She approves of your drumming skills, Raph. Makes her wish she could sing along.
no subject
If she couldn't they'd have to figure out a way around it. Maybe pen and paper? Even if it was in another language, the myth magic meant it all translated.
no subject
It hasn't even been much more than 48 hours since it happened.
Still, though the two of them may not know it, the myth magic had probably helped Sandy's little sand shapes be more understandable to his fellow myths and guardians. Maybe it would help give layers of meaning to those little musical flourishes that seem to accompany Red's desires to communicate.
She stepped slightly into the room, glancing around for something she could write on, then gestured to Raph like she was writing. The little chiming that went along with it seemed to ask if he could help her out.
no subject
The little musical tones were probably magical and magically understanding languages seemed a byproduct of the myth thing. Still, he knew it'd be easier to communicate if she could just write things down.
He drug through a pile of junk until he found a pen and notebook, carefully flipped past some of the pages (which had doodles and such on them that he wasn't keen on anyone else seeing) and handed it over to her, sitting across from her so she could easily turn the notebook so he could see.
no subject
"Hi, my name's Red."
she turns the notebook around so he can read it.
(no subject)
no subject
Nico leaned against the door frame, her sewing tucked up under one arm as she watched him bang away on the drum kit.
"You're pretty good at that."
no subject
"If 'Rock Band' is one of those lame video games where you pretend to have musical talent, like the 'Rock Hero' games back home, then no," said Raph loudly over the drums. "I prefer the real thing."
Mostly because it was way more satisfying to whack the heck out of real drums.
He put his drum sticks on his snare, swiveling on his little stool to face her.
"And I had to get good at it to prove it was worth it. The only reason I managed to talk Sensei into letting me have a drum kit when I was twelve was by saying it'd help with my dexterity with my sais, so he expected me to get good at both," he said. He took out his sais and started flipping them in his hands to demonstrate, before putting them away, all in on a smooth move like some kind of show-offy gunslinger. "He kept trying to push me to take up anything but drums because of the noise but I wore him down with the ninja angle and by pointing out that you can't play most other musical instruments with just three fingers."
no subject
She stuck her head back in. "I'd offer to play with you, but it doesn't sound like there's a lot of call for tubas; and I never managed to convince my parents to let me have a base."
no subject
"I reserve the right to be a snob when I can do this," Raph said, picking up his drum sticks and flipping them in his hands, then doing a short little improvisation that was not the kind of thing that'd ever show up on the easy mode of Rock Band. Then he tossed them up in the air at a fast spin, catching them and twirling them around his hands like little batons.
Still twirling them and showing off because he was an ass like that, he said, "You played the tuba? Does one even play the tuba? Because I always thought it was just- " He made a sort of sad trombone noise with his mouth, "'bwom bwooom bwooooom.'"
He was so busting her chops now.
"You know. Sad noises. Because it wants to be a real musical instrument."
no subject
"Hey, guess what's got three legs and an asshole?" She pointed toward his drums -- or rather, at something behind his drums. "That drum stool."
no subject
He tried to mine his brain for musician jokes he'd seen online.
"Oh yeah, what's the difference between a tuba and a vacuum cleaner?" A brief pause. "You have to turn one of them on before it sucks."
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
cw: discussion of suicidal thoughts
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
no subject
Mabel didn't actually recognize any of the drum beats (none of them had corresponding Sev'ral Timez lyrics) but she had a present to give to Raph, and she'd spent all day wrapping it. It showed, given that the present was bigger than her, and she had to carry it on top of her head to move it around the Pole at all. The wrapping paper was tied with approximately a million bows, and there were actual Christmas lights involved in the wrapping of it. Mabel seemed to be powering the lights herself, by whatever bizarre magic the bearer of good cheer possessed.
no subject
Fond enough to ignore the fact he hated the keytaur.
He stopped drumming, turning down his music and putting down his drum sticks.
"It depends. I'm looking for one but the job requirements are they they have to be this tall," he held a hand up to roundabout where Mabel's height was, "and wear colorful sweaters. You know anybody like that?"
He looked around his cymbals to see what she was carrying.
"And what is that?"
no subject
She threw it at Raph. By the way it tumbled gracefully through the air, Mabel didn't have super strength, and the package was very light.
no subject
"You got me a present?" Cue his being incredibly bewildered. "Why?"
He asked it with all the confusion of someone who didn't randomly get handed presents a lot.
Sensei'd always tried to get them a nice thing here and there for Christmas or their birthdays but "nice" was relative when it call came from the trash and they'd never been allowed out until they were fifteen so he and his brothers had never really been able to exchange gifts with each other.
He started to unwrap it, his expression knitted into an expression of confusion.
no subject
Ok, a big part of it was that she'd never tried the tons-of-boxes-within-boxes-for-a-single-present trick and she had always wanted to.
She barely held back her snickers as Raph opened the first box and found . . . an equally elaborately wrapped one stuffed in the packing peanuts inside.
no subject
"Oh no. Nope, taking a shortcut."
He pulled out his sai and used it to rip through all the packaging so he could excavate his way to the center.
(no subject)
(no subject)
(no subject)
no subject
"Hey, uh."
He announced himself, awkwardly, at the door. He had tried to kill the kid, after all.
"'Hot for Teacher,' right?" He nodded, shoving his hands in his pockets. "Good, uh. Good ear."
Or lack of them.
no subject
On the one hand, the guy was an ass.
On the other, he knew his music.
On the other nonexistent hand, the guy was an ass.
One the other other hand, he could at least understand paranoia and when he really thought about it, if he'd been tossed into creepy a situation with one of the characters from Super Robo Mecha Force Five there in the flesh, he might have suspected some weird mindfuck, too, even if he would've been a little less trigger-happy.
That didn't mean he wasn't going to bust the guy's chops. He just reeked of desperate cool, from the way he carried himself to the way he dressed. Like some James Dean wannabe.
So Raph went for the low-hanging fruit, knowing that the thing teenagers were best at was making old people feel old.
"Yeah, well, you know how it is. Van Halen, Led Zeppelin, Rush - the best stuff to drum to is the old people music."
no subject
OK, not so inscrutable. Raph was hitting the "teenage" part of "Teenage Mutant Ninja Turtle" pretty hard and it was already annoying.
"Listen, I wanted to ah." Ugh. He didn't want to so much after that, but. "Apologize. I'm sorry I tried to shoot you." Pause. "And blow you up."
no subject
"Yeah, whatever," he said, in true teenager fashion. "I guess it's not your fault. I was on edge when Mikey and I got pulled here, too, and it turned out we had good reason to be because some myths working for Kuk nearly got us killed."
Fun fun.
"So if it had been them, you going on the offensive would've been a good thing. And they would've deserved a grenade to the face."
no subject
Being helped, actually helped, for no reason other than to keep him out of more trouble and because it was the right thing to do, by someone other than Sam or Bobby was . . . really unusual. And Dean wasn't used to it. So not-used to it, he'd almost killed a kid, but of course if anyone was going to mistakenly kill an innocent, helpful kid, wouldn't it be him?
"Which myths?" he asked, veering away from the self-hating train of thought. He needed to know the specific threats of this world, and soon.
no subject
Mostly because he wasn't used to it. No one even knew they did nice stuff or helped people, let alone thanked them for it. It felt...weird.
"It's weird," he blurted out before realizing that might come off like he was saying that it was weird Dean was thanking him and not that it was just weird to hear it. "I mean, I get you're trying to be appreciative. I'm just not used to it. No one thanks us back home."
Even hunters got the occasional 'thank you for saving my life.'
"Anyway, the myths that attacked us were some weird British action movie villain type guy named Benedict, Bloody Mary - as in the Bloody Mary - and The Trunchbull from that movie with the girl who can move stuff with her brain. They beat us senseless and dumped us in Times Square with these collars that suppressed our myth powers and tipped off these government agents that we were there. Then they took us to this creepy government lab and - and Nico and the twins got us out."
He didn't go into what had happened in said lab because he really didn't want to.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)